Asuka's EVA contains the maternal part of the soul of her mother, who went crazy as a result of her Contact Experiment and committed suicide. Kaji shows up with Ritsuko, which leads Asuka, who had been anticipating his arrival, to have a jealous reaction. The date proves to be a failure and Asuka dumps the guy because she deems him "boring". Shinji, already royally screwed up psychologically, visits Asuka as she lays comatose on a bed. The last scene in the episode sees the three lying on a hill, looking at the city with no lights on and expressing the way they feel. Read Chapter 23: Oh my Glob from the story Y/N get in the damn Robot (Neon Genesis Evangelion x Male Reader) by Ashma_Star (Ashatos) with 263 reads. On the surface, it's hard to understand exactly how Shinji is responsible. For more information, less accepted alternatives and objections, see Shinji and Asuka forum thread. At first completely surprised at Shinji's rescue, Asuka quickly gathers herself enough to make a token attempt at keeping up appearances, quietly calling Shinji a "fool" and a "show-off", but her expression plainly shows her true feelings; in spite of herself, she cannot help but tenderly smile at his action, both impressed and grateful. Ritsuko uses the same euphemism as Asuka: "Is that why you slept with him?" This is symbolized most of all with Asuka, who actively refuses to just be his "doll". In it, Asuka confesses her feelings to the man and receives a clear rejection; she is too young for him. Encouraged by his friends, Shinji follows Asuka outside and manages to get her to go back to training. [Read more] La Nuit des Choses: an unusual and musical night at the Louvre. The show does not drop their relationship however, and keeps analyzing what went wrong or right with both, and why. The mind-violation doesn't help Asuka better accept herself or Shinji, it simply serves the purpose of allowing the viewer to better understand her. Asuka strongly desires to be recognized as an adult, and believes she can become an adult through sexuality, ironically a fundamentally adolescent notion.Connected to the flashback is the following scene, in which Asuka, at a station, is trying to call Kaji on the phone but fails to get through to him on the phone. In what is one of the most recognizable moments of the episode, Asuka forces Shinji to join her in her mech (while also forcing him to wear her plugsuit), to fight the angel, in order to further prove to him her skill. Shinji doesn't make any move to initiate the kiss (notice that Asuka pauses, expecting Shinji to lean in while he simply closes his eyes and waits). Make fun of me like you always do! You never say anything, and you expect me to understand you, when you don't even talk at all? It essentially translates Asuka's frustration after the kiss into words, expressing the way she feels about Shinji's density. "All thumbs. Starting off with Asuka attacking Shinji for being too quick to apologize, only to then express her jealousy and frustration at Misato when she tries to take Shinji in defense, accusing her of enabling Shinji's bad habits by being too soft on him and only being in a good mood due to being back together with Kaji. Misato has momentarily substituted Rei for Asuka in the synchro-attack training and Rei aces it the first try. Her rash decision leads them both to a defeat when the angel proves capable of duplicating itself. Marking the appearance of Asuka Soryu Langley, in Neon Genesis Evangelion, episode 8 is mostly used to introduce us to the personality of the German pilot. Asuka briefly appears during Rei's contamination scene, the subject of Rei's jealousy due to the attention Shinji pays her by visiting her at the hospital. Asuka wants Shinji to kiss her . Having faced similar trauma in their childhood, Shinji and Asuka develop opposite defense mechanisms. Visually the exchange also says a lot; Asuka's face is livid with anger and disgust with Shinji, yet they are in a very intimate situation, being naked in a bed together. This scene even features an easter egg echoing the old shoujo manga Anno likes: one of the desks features a drawing of an umbrella with Asuka and Shinji's names written on them. When Kaji arrives home with Misato, she quickly puts up a smile and tries to get him to spend some time with her. Does Shinji love Asuka? Shinji's line can not only be interpreted as a cry for help or promise of commitment, but that sort of expression, According to Megumi Ogata, Shinji's voice actress, the scene itself was modelled on an experience of a female friend of Anno's. See: Shinji's original line, "", translates literally to "I want to be with you forever". These Saturday January 7, and Sunday 8, 2023, you want things to go smoothly with lots of outings and good deals. Her rash decision leads them both to a defeat when the angel proves capable of duplicating itself. Asuka once again expresses envy when Shinji is given more attention than her, as he is testing Rei's Evangelion. This is outright stated in the Episode 22 Platinum Commentaries: "And likewise, after the kiss scene from Episode Fifteen, "Lies and Silence," there is a new scene showing her looking frustrated after rinsing her mouth. Regardless, the scene plays out as it originally did, but the kiss itself is then replaced by Asuka's accusations. Their second exchange tackles Shinji's inability to help and understand Asuka. What is, however, worth noticing when it comes to the bigger picture, is that the second and fourth exchanges are essentially twisted retakes of events from the show; respectively, Asuka and Shinji's disastrous kiss from Episode 15, and Shinji confronting Asuka with Kaji's death in Episode 24. When Shinji muses to the group about the praise he received from Gendo upon completion of the operation and how it might be his reason for being a pilot, Asuka, again a bit incredulous, makes fun of him for it, believing it to be a stupid reason. He goes to the NERV hospital to see a comatose Asuka, pleading for her to help him. As she gets close to him, she briefly clings his arm, but then she smells Misato's perfume on his jacket and realizes something happened between them. However, it is the evidence presented in the show that makes it clear that they are the show's primary relationship. A hopeless Shinji then proceeds to express his exasperation at her. Asuka, in a rare unguarded moment, earnestly explains to him that her feelings towards her stepmother are mostly ones of indifference, only to stop herself and immediately going back to shouting at him when she realizes what she is doing. After she is done talking on the phone, Shinji tries to learn more about her family, commenting that it must be nice to have someone to talk to. Because one tends to reject or remain ignorant of the least desirable aspects of one's personality". She is also manipulative towards him and uses him for her own validation. Shinji visits Asuka in the hospital after he's traumatized by his killing of Kaworu and doesn't know who else he can turn towards. The first is the opening scene of the movie. Shinji struggles with being alone and not having Asuka to chastise him, which triggers some inappropriate feelings. As she states that, we are shown flashes of instances, throughout the series, in which Asuka had been in need of Shinji's support: the "walls of Jericho" and the kiss, being the most relevant. Ikari Shinji/Souryuu Asuka Langley Souryuu Asuka Langley Ikari Shinji Katsuragi Misato Ikari Gendou Ayanami Rei Fuyutsuki Kouzou Original Characters Comedy Action/Adventure Multiverse 2015, Tokyo-3. It is in fact his cluelessness that becomes the main theme of the episode. The episode opens with a flashback, focused on Asuka and Kaji, before they get to Japan. Misato comes in Shinji's defense asking Asuka to adapt to him, which she refuses to do, and then replacing her with Rei, in an attempt to poke Asuka's pride and make her compromise. [3] During the night Asuka visits the bathroom while half-asleep and then subconsciously lies next to Shinji. That is where the lack of inhibitions comes into play; all the issues Asuka has with Shinji's personality don't seem to affect her interest in him here, as they did throughout the series. Likely implying her acceptance and wish to make peace with him and to forget, at least temporarily, about their past issues. Namely, while Shinji runs away from people and isolates himself in order to avoid intimacy and the risk of rejection and to always stay in his comfort zone, Asuka pushes them away from her with arrogance and abrasiveness, trying to cultivate a false image of herself that keeps her from facing reality. Shinji visits a comatose Asuka in the hospital; when his pleas for attention go unanswered, he exposes Asuka's breasts and masturbates. Asuka:"You're scared of both Misato and First, and your mother and father". Asuka's increasing jealousy towards Misato also comes up again, when an absent-minded Kaji tries to wave her off with the excuse that he is busy, and she complains - half to him, half to herself - that he always seem to find the time for Misato, before trying to push him even harder into paying attention to her by aggressively hugging him from behind, despite his outspoken annoyance. Asuka tries to deceive Shinji as to the reason why she kisses him and yet at the same time she hopes, deep down, that he is able to realize her deception and break through her barriers. Nonetheless, the ending also indicates they have gone through a process of growth and change, and that accepting each other was and is part of a better future. As we mentioned earlier, Shinji uses Asuka as an escape from his fear of abandonment and for the affection he strives for. The poster for End of Evangelion directly parallels this scene, except that this time Asuka and Shinji are close to one another, the barrier between is gone, and they seem much more relaxed and at ease with each other. Finally, it is often the case that important information is transmitted visually rather than through dialog, so examination of screenshots is necessary. It is important to note that, in the second part of the mind-violation, Asuka denies feeling lonely and reaffirms her independent attitude. When Asuka gets back home in the evening she walks in on Shinji playing the cello, and she applauds him after he plays the piece to finish, admitting that she is impressed with his performance and the fact he plays an instrument. This is a turning point in the series, in multiple ways. His acceptance isn't enough; she needs more. He's filled with self-loathing after masturbating to the sight of a naked Asuka, but he can't help it. As Neon Genesis Evangelion. Not only do Shinji and Asuka miss a chance to connect further, they also fail to establish support from one other that they would desperately need as the war with the Angels worsens in subsequent episodes. This is also supported in a more subtextual manner via clever use of cuts during important moments to establish a parallel between the Shinji/Asuka relationship and that of Misato and Kaji. Scandal sex shane warnes. In the last part of the episode Asuka volunteers to fight the angel (Sandalphon) in a volcano, winning the confrontation but losing the safety cables that kept her from falling deeper in the lava. Asuka, for what it is worth, finally decides to bite the bullet and attempts to do the thing that everyone around Shinji, including herself, have been trying to avoid for the longest time, namely telling him the truth. It's worth noting that, during a discussion between the two pilots, Asuka gets Shinji to admit he tried to kiss her, giving her a confirmation of his interest. 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